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Almost Religious 接​近​入​神

by Yoann Pisterman

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about

"Almost Religious" is piece of music in 3 movements, that reflect the stages of a sonic storm simulacre.

The process of tuning an instrument, marking unintended breaks. The essence of the notes goes lost in a large space. The accumulation of these leak points turns into a sound background storm that culminates in the 2nd movement. The 3rd movement becomes the reminiscence after the storm.

This project crosses 2 parts of my musical practice: colliding with reverberation of soundscape and melodic element; that are creating a mesmerizing 《almost religious》 storm sonic experience.

定调中乐器发出的音符无意间形成裂口,让音乐氛围外泄,继而散逸在宽阔的空间;声音的积蓄蕴酿出第二乐章中的狂风暴雨,又随第三乐章的降临化成了怀缅这场风暴的愁思。

《接近入神》是三个演进的的乐章, 是一幅描述风暴的声音拟像画作。

credits

released November 5, 2021

Composed by Yoann Pisterman
Produced, mixed and engineered by Andrew Claristidge
Mastered by Sam Berdah at The Wall Studio
Art: Yoann Pisterman / Layout: Tom Ng

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About Yoann Pisterman:

A French multi-disciplinary artist based in Berlin, who is as enamored with ambient music’s propensity for auditory representation of architectural beauty, as some of the genre’s pioneering greats - the lineage of artists like Hans Joachim Roedelius, Geinoh Yamashirogumi, Ryuichi Sakamoto.  

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Yoann Pisterman Berlin, Germany

A French, based in Berlin musician and visual artist who is as enamored with ambient music’s propensity for auditory representation of architectural beauty as some of the genre’s pioneering greats, Yoann Pisterman comes from a long lineage of artists like Hans Joachim Roedelius, Geinoh Yamashirogumi, Ryuichi Sakamoto. ... more

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